How Printmaking Techniques Bring Depth and Texture to Living Spaces
Choosing art for a room often comes down to color and subject matter. But texture matters just as much, and few art forms deliver texture the way printmaking does. If you're drawn to original printmaking art for home, understanding how a piece was made can change how you see it on your wall.
At Hummingbird Fine Arts, husband-and-wife team Brooke and Frank Remmert work across several printmaking methods, each producing a different surface quality. Knowing the difference helps when you're shopping for original artwork online and want a piece that fits a specific room or mood.
Collagraphs: Layered Texture From Everyday Materials
A collagraph starts with a printing plate built up from collage materials, like cut card, fabric, plant matter, or other textured objects glued to a base. Once ink is rolled across the surface and the plate runs through a press, every ridge and edge transfers onto the paper. The result is a print with real, tactile depth, not just the illusion of it.
Brooke Remmert works this way often, and her process is unusually direct: she gathers flowers, herbs, and grasses from her own garden, rolls ink onto two plexiglass plates she developed her own method for using, then sandwiches the plants between them and runs everything through a flat-bed press. The plants come out with needle-nose pliers once the print is pulled. Her Garden Narratives series, now available in larger formats, comes directly from this process, and it's a good example of nature-inspired art for sale that reads as textured and dimensional in person, not flat like a photograph or digital print.
Solar Plate Etchings: Precision With an Analog Feel
Solar plate intaglio starts from a photograph, then uses light exposure to etch an image into a plate, which is inked and printed under pressure. It keeps the crispness of a photographic source while adding the slight unevenness of a hand-pulled print. Brooke Remmert uses this technique for pieces drawn from her travels, including the Santa Fe door studies and works in the Architecture Around the World series. For anyone furnishing a study or a hallway with architectural art prints, solar plate pieces offer detail without looking mechanically reproduced.
Monoprints and Monotypes: No Two Alike
Monotypes are printed once. Ink goes onto a plate, the image is composed, and after a single pull through the press, that plate no longer holds the same image. This is what makes each monotype a one-of-a-kind piece rather than an edition. Frank's abstract monotypes lean into this unpredictability, using color and motion to create energy on the page with pieces that work well as original art for offices or any space that could use a jolt of movement without literal subject matter.
Monoprints follow a similar logic but often reuse a stable base plate with variable elements layered on top, which is part of how Brooke's dahlia and garden pieces get their variation from print to print.
Pro tip: When shopping for textured prints, ask about the paper. Hummingbird Fine Arts prints on heavy, 100% cotton rag paper, which holds ink and texture far better than standard stock and holds up over decades on a wall.
Beyond Nature: History and Story in Print Form
Printmaking at Hummingbird Fine Arts isn't limited to florals and landscapes. Brooke's historical quilt art series reinterprets the coded quilt patterns once used to guide people to freedom along the Underground Railroad, giving each collagraph a documented historical pattern as its starting point. It's a reminder that texture-driven printmaking can carry weight and narrative, not just visual interest.
Frequently Asked Questions
1- Does textured art need special lighting?
Raking light, aka light that hits the piece at an angle rather than straight on, brings out the texture in a collagraph or monotype more than flat overhead lighting does.
2- Are these prints reproducible if I want a matching piece later?
Monotypes are one-of-a-kind by definition, so no two are identical. Collagraphs and solar plate prints from the same plate will share a composition but still carry slight variation from one pull to the next.
3- What size works best for a gallery wall?
Smaller pieces in the 5" x 7" to 11" x 15" range mix well in a grouped wall; larger works like the Garden Narratives series (15" x 22") work better as a single statement piece.
Bring textured, handmade work into your own space. We create every piece at Hummingbird Fine Arts as handcrafted original art, from Brooke's garden-based collagraphs to Frank's solar plate and monotype work, so what you're hanging is genuinely original printmaking art for home, not a reproduction. Our collection includes dahlia art prints and pieces drawn from New Mexico's landscape and history, priced so that collecting doesn't have to wait for a special occasion. As two working Santa Fe artists, we print on 100% cotton rag paper meant to last.
Reach out and let us help you find an affordable original art piece that fits your walls and your budget.